THE WRITERS’ JOURNEY – HOW TO SUCCEED IN HOLLYWOOD + COMICS (MF GALAXY 118) - *WHAT MAGAZINES + WEBSITES YOU MUST READ, HOW TO MANAGE YOUR SOCIAL MEDIA PRESENCE TO AVOID SABOTAGING YOUR CAREER, WHERE IN YOUR STORY TO START WRITING ...
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Collected essays exploring how to do theology (part one) and read the Bible (part two) when viewed through the eyes of oppressed peoples who have suffered - and continue to suffer - from western colonialism.
R. S. Sugirtharajah is Professor of Biblical Hermeneutics, University of Birmingham. His most recent publications include: Postcolonial Criticism and Biblical Interpretation (2002), and The Bible and the Third World: Precolonial, Colonial and Postcolonial Encounters (2001).
"Black Nature" is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated.
Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.
Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.
"Black Nature" brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.
In this book professor and pastor Soong-Chan Rah calls the North American church to escape its captivity to Western cultural trappings and to embrace a new evangelicalism that is diverse and multiethnic. Rah brings keen analysis to the limitations of American Christianity and shows how captivity to Western individualism and materialism has played itself out in megachurches and emergent churches alike. Many white churches are in crisis and ill-equipped to minister to new cultural realities, but immigrant, ethnic and multiethnic churches are succeeding and flourishing.
This prophetic report casts a vision for a dynamic evangelicalism that fully embodies the cultural realities of the twenty-first century. Spiritual renewal is happening within the North American church, from corners and margins not always noticed by those in the center. Come, discover the vitality of the next evangelicalism.Here are some reviews:
"In this manifesto for change, Soong-Chan Rah calls for the church to break free from limiting and exclusive paradigms and fully embrace the dramatic cultural diversity that is rapidly defining the twenty-first century in the United States. His powerfully persuasive pen engages and challenges the reader in ways that radically transform how church life is to be understood, shaped and lived. Everyone who cares about the Christian church in the United States needs to read The Next Evangelicalism. This book ignites hope for reconciliation in the world through the church." --Curtiss Paul DeYoung, professor of reconciliation studies, Bethel University
"Soong-Chan Rah explores the impact of ethnic and geographic shifts on the present and future state of evangelicalism. He gives us fair warning that parts of his heartfelt book are 'intended to provoke,' and they will. But that doesn't stop his book from being timely, thoughtful and very rewarding." --Philip Jenkins, Edwin Erle Sparks Professor of Humanities, Pennsylvania State University, and author of The Next Christendom
"The Next Evangelicalism reminds me of July 4: there's plenty to celebrate and there are fireworks going off in all directions! But I kept asking myself: What will this next evangelicalism celebration do to us? Will we stay the same or will we follow the leading of God's Spirit into the next era of evangelicalism, one that will surely be unlike what we have now? Sit down, open this book, and get ready to duck!" --Scot McKnight, Karl A. Olsson Professor in Religious Studies, North Park University, blogger, JesusCreed, author, The Blue Parakeet
"In this manifesto for change, Soong-Chan Rah calls for the church to break free from limiting and exclusive paradigms and fully embrace the dramatic cultural diversity that is rapidly defining the twenty-first century in the United States. His powerfully persuasive pen engages and challenges the reader in ways that radically transform how church life is to be understood, shaped and lived. Everyone who cares about the Christian church in the United States needs to read The Next Evangelicalism. This book ignites hope for reconciliation in the world through the church."
Three sisters...one devastating secret.
Faith Alexandria Morrell, the oldest of a mysterious trio of sisters, lives a troubled life and guards a horrifying secret. Yet few, least of all her new church family, would believe this always-impeccably-dressed woman is so utterly lost. But what lies beneath the surface of Faith's carefully constructed veneer could completely destroy her.
Needing help, Faith and her sisters, Hope and Charity, join Followers of Jesus Faith Worship Center. This new mega church, led by the dreadlock-wearing, Holy Ghost-filled Pastor George Landris, just may offer the solace she needs. But Faith soon discovers that all is not well in her new church home: Pastor Landris's marriage may not be as solid as everyone thinks and he's struggling to finance the church building; Thomas, the pastor's deadbeat brother, is diagnosed as bipolar; and Johnnie Mae, the pastor's wife, is facing some tough choices regarding her ailing mother's care. How can Faith and her sisters find comfort here when so many are wrestling with their own issues? And when one sister suffers a crushing collapse, prayer may be the only way to unravel the mystery shadowing Faith and her sisters--the blessed trinity.
For centuries, the Bible has been used by colonial powers to undergird their imperial designs--an ironic situation when so much of the Bible was conceived by way of resistance to empires. In this thoughtful book, Mark Brett draws upon his experience of the colonial heritage in Australia to identify a remarkable range of areas where God needs to be decolonized--freed from the bonds of the colonial. Writing in a context where landmark legal cases have ruled that Indigenous (Aboriginal) rights have been 'washed away by the tide of history', Brett re-examines land rights in the biblical traditions, Deuteronomy's genocidal imagination, and other key topics in both the Hebrew Bible and the New Testament where the effects of colonialism can be traced. Drawing out the implications for theology and ethics, this book provides a comprehensive new proposal for addressing the legacies of colonialism. A ground-breaking work of scholarship that makes a major intervention into post-colonial studies. This book confirms the relevance of post-colonial theory to biblical scholarship and provides an exciting and original approach to biblical interpretation. Bill Ashcroft, University of Hong Kong and University of New South Wales; author of The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (2002). Acutely sensitive to the historical as well as theological complexity of the Bible, Mark Brett's Decolonizing God brilliantly demonstrates the value of a critical assessment of the Bible as a tool for rethinking contemporary possibilities. The contribution of this book to ethical and theological discourse in a global perspective and to a politics of hope is immense. Tamara C. Eskenazi, Hebrew Union College, Los Angeles; editor of The Torah: A Women's Commentary (2007).